Album Reviews
COFRESI’s “Avant Suede” EP review
by Stephanie Casino Avant Suede is the type of playlist that can get you in ...
Album Reviews
She Keeps Bees’ “Eight Houses” is perfect self-therapy music
by Susan Shelton If She Keeps Bees was looking to create a dusty yet comfortable ...
Album Reviews
Go on a weird journey with Elephant Stone’s “The Three Poisons”
by Scott Wilson When I first heard The Three Poisons, Elephant Stone’s third full-lengther, I ...
Album Reviews
King Tuff’s stoner solstice – “Black Moon Spell”
by Rose Blanton Kyle Thomas seems to be some sort of garage rock tycoon. He’s ...
Album Reviews
Keys ‘N Krates kill it once again with “Every Nite”
by Jackie Willson Well, not like anyone will be surprised, but local Toronto talent Keys ...
Album Reviews
The sleeper album of the year? “LOSE” by Cymbals Eat Guitars
by Rose Blanton Cymbals Eat Guitars’ LOSE is an expansive, intricate piece of work that helps one ...
Album Reviews
ODESZA’s “In Return” are the delicious sounds of delirium
by Stephanie Casino ODESZA. Does the name refer to a place? A seductress? An abandoned, ...
Album Reviews
The Bug’s “Angels & Devils” is on my mind
by Scott Wilson In the hotshot producer world there’s a lot of coattail riding, using ...
Album Reviews
The jazzy, off-beat, and exciting Valery Gore’s “Idols in The Dark Heart”
by Scott Wilson Jazzy with a touch of autobiography, Toronto’s Valery Gore’s new full-length studio ...
Album Reviews
Tre Mission’s “Stigmata” sends the artist in a new direction
by Scott Wilson After much anticipation and success with his debut album Malmaison last year, ...
Album Reviews
Into the wild with Fakear’s “Sauvage”
by Stephanie Casino Naming an album Sauvage can seem like a self-inflicted challenge. The French word ...
