Album Reviews
Sofia Kourtesis “This Is It” EP review
by Eric Evans For musicians in general, but for electronic musicians in particular, technology has ...
Album Reviews
Eating Dan Deacon’s tone calzone, “Gliss Riffer” album review
by Michael Glader Baltimore’s Dan Deacon is at it again. His new album, Gliss Riffer, ...
Album Reviews
Eskmo’s “SOL” is not made for the dentist’s office
by Scott Wilson SOL, Eskmo’s upcoming release, does not fit into any classifications. As an ...
Album Reviews
Poetry & prose combine: Lady Lamb the Beekeeper’s “After”
by Scott Wilson The young Aly Spaltro, now called Lady Lamb the Beekeeper, from Portland, ...
Album Reviews
LP Review: Len Sander’s “Phantom Garden”
by Aedyn Roze Imagine walking into a vast garden on a moonlit night with a ...
Album Reviews
Romare’s “Projections” are a collection of unique tracks
by Stephanie Casino Projections is Romare’s first album, despite having released several one-off tracks in ...
Album Reviews
The discipline of 1982: “Transfer of Energy [Feelings of Power]” by Egyptrixx
by Eric Evans Exactly when early industrial music broke with electronica to embrace noise metal ...
Album Reviews
THEEsatisfaction’s sophomore album “earthEE” is spacey, galactic R&B
by Stephanie Casino Rap artist Stasia (“Stas”) and sultry vocalist Cat make up the Seattle-based ...
Album Reviews
Dear Chicago: Jahzel’s “The Wake Up”
The anticipation is over. After years of honing his craft and releasing three impressive mixtapes, ...
Album Reviews
“Glasswork” by Glass Elk, EP review
by Samuel Hernandez In Glass Elk‘s new EP Glasswork, the piano provides the distance, whereas the ...
Album Reviews
Father John Misty Fell in love, and he can’t shut up about it
by Rose Blanton The sophomore album from Josh Tillman, goes by Father John Misty, is ...
