Album Reviews
Close The Blast Doors, Tre Mission’s EP strikes fast and heavy
by Scott Wilson 140 beats per minute is the cadence of a professional cyclist in ...
Interviews
Leftover Cuties, not always cute. Interview
by Samuel Hernandez Leftover Cuties are a Venice band embarking on their largest loop of ...
Photo Stories
Debut of Toronto’s Grove Festival
by Shaun Roncken | photos by Alex Duncan As I strolled to the gates of ...
News
Brooklyn’s Afropunk Fest, preview
by Samuel Hernande Last year Commodore Barry Park in Brooklyn was electrified by Janelle Monáe as ...
Album Reviews
Album review: Eros and the Eschaton “Home Address For Civil War”
by Max Jones Whether it is Eros or the Eschaton who is primarily responsible for ...
Culture
Self-awareness and the fossilization of Electroclash: a sub-genre revisited
by Shaun Roncken Like crooning the lyrics to “Glycerine” while tucking loose hair behind your ...
Album Reviews
Album Review: MINKS “Tides End”
by Rose Blanton MINKS is the band Robert Smith would have formed if he hadn’t ...
News
Dream Koala releases title track for upcoming “Odyssey” EP
Yndi Ferreira, aka Dream Koala, is a self-taught musician and producer. To some talent comes at ...
Album Reviews
Album review: Raffertie “Sleep of Reason”
by Scott Wilson There is a condition (diagnosed through internet forums) known as autonomous sensory ...
Album Reviews
EP Review: Grey Reverend “Everlasting”
by Sarah Young Grey Reverend is the solo project created by L.D Brown, a singer/songwriter ...
Reviews
Jasper Sloan Yip Live at the Media Club
by Irene Lo It starts with a guy in black skinny jeans playing his guitar ...
