Album Reviews
Milk & Bone’s debut album, “Little Mourning,” is symphonic and electronic
by Susan Shelton Milk & Bone are a female duo breaking into the world of ...
Interviews
An interview with Night Riots, before the night riot
by Scott Wilson I met the members of Night Riots in the basement of Reggie’s ...
Reviews
Do you hear what I hear? In Tall Buildings at Schubas
by Rose Blanton Erik Hall calls his musical project “In Tall Buildings” because he records ...
Album Reviews
Saycet, journey through “Mirage”
What had originally started as a solo project of french music composer Pierre Lefeuvre, has evolved ...
Album Reviews
Sofia Kourtesis “This Is It” EP review
by Eric Evans For musicians in general, but for electronic musicians in particular, technology has ...
Album Reviews
Eating Dan Deacon’s tone calzone, “Gliss Riffer” album review
by Michael Glader Baltimore’s Dan Deacon is at it again. His new album, Gliss Riffer, ...
Album Reviews
Eskmo’s “SOL” is not made for the dentist’s office
by Scott Wilson SOL, Eskmo’s upcoming release, does not fit into any classifications. As an ...
Album Reviews
Poetry & prose combine: Lady Lamb the Beekeeper’s “After”
by Scott Wilson The young Aly Spaltro, now called Lady Lamb the Beekeeper, from Portland, ...
Album Reviews
LP Review: Len Sander’s “Phantom Garden”
by Aedyn Roze Imagine walking into a vast garden on a moonlit night with a ...
Album Reviews
Romare’s “Projections” are a collection of unique tracks
by Stephanie Casino Projections is Romare’s first album, despite having released several one-off tracks in ...
Reviews
Friday with Finding Fiction: reinventing what’s cool
by Samuel Hernandez There’s a stretch in the Lower East Side that is holding onto ...
