Album Reviews Turn to Crime may have “Actions” but what else do they need? by Scott Wilson The best way to think about Actions, the second album from the ... Quip Magazine
Interviews An interview with Night Riots, before the night riot by Scott Wilson I met the members of Night Riots in the basement of Reggie’s ... Quip Magazine
Album Reviews Eskmo’s “SOL” is not made for the dentist’s office by Scott Wilson SOL, Eskmo’s upcoming release, does not fit into any classifications. As an ... Quip Magazine
Album Reviews Poetry & prose combine: Lady Lamb the Beekeeper’s “After” by Scott Wilson The young Aly Spaltro, now called Lady Lamb the Beekeeper, from Portland, ... Quip Magazine
Album Reviews Daniel Wilson cried thunder by Scott Wilson Daniel Wilson suffers from an almost incurable disease, one that I suffer ... Quip Magazine
Album Reviews Keinemusik’s “Workparty Five” gives us a taste of Berlin’s EDM by Scott Wilson Before we get to Berlin’s Keinemusik and their celebratory compilation Workparty Five, ... Quip Magazine
Album Reviews Changing the pace of Hip Hop, it’s Swelo by Scott Wilson Swelo is not what I expected. When I was first introduced to ... Quip Magazine
Album Reviews The Bug’s “Angels & Devils” is on my mind by Scott Wilson In the hotshot producer world there’s a lot of coattail riding, using ... Quip Magazine
Album Reviews The jazzy, off-beat, and exciting Valery Gore’s “Idols in The Dark Heart” by Scott Wilson Jazzy with a touch of autobiography, Toronto’s Valery Gore’s new full-length studio ... Quip Magazine
Album Reviews Tre Mission’s “Stigmata” sends the artist in a new direction by Scott Wilson After much anticipation and success with his debut album Malmaison last year, ... Quip Magazine
Interviews Panama makes The Vic their victim by Scott Wilson Jarrah McCleary, lead singer/keyboardist/songwriter for Panama, hails from Sydney, Australia and aside ... Quip Magazine