Album Reviews
Bedroomer’s “Vol. 1 Mixtape” is a game of musical chairs
by Irene Lo What is a Bedroomer party like? The release of the first volume ...
Album Reviews
Bonobo’s EP “Flashlight”: Three tracks aren’t enough
by Stephanie Casino Bonobo (Simon Green) has been sharing his masterful mixes of internationally influenced ...
Album Reviews
Review of Waxlimbs & Astrolope’s “Little Maps”
by Sam Hawkins Rather than entangle the already complex arrangements of Waxlimbs & Astrolope’s convergent ...
Album Reviews
Review of Oceaán’s “The Grip”
by Michael Glader The Grip makes the fourth and much anticipated release from Oceaán. Recently ...
Album Reviews
James Robinson starts a fire with new EP
by Madeline Reynolds Every music-lover has experienced, at some point, that moment where a piece of ...
Album Reviews
Finding success in the generic: TWICEYOUNG’s EP “Prefer You”
by Rose Blanton TWICEYOUNG transplanted themselves to Nashville while making their lastest EP, Prefer You, and ...
Album Reviews
The natural spirit of Parra for Cuva’s “Majoure”
by Irene Lo The number of electronic producers that stumble upon world fusion while discovering ...
Album Reviews
Close Talker’s sophomore album “Flux” review
by Stephanie Casino Flux is Close Talker’s second album, surprisingly since they’ve only been an ...
Album Reviews
Keinemusik’s “Workparty Five” gives us a taste of Berlin’s EDM
by Scott Wilson Before we get to Berlin’s Keinemusik and their celebratory compilation Workparty Five, ...
Album Reviews
Aquilo’s “Human” EP review
by Eric Evans Mellow gets a bad rap. Historically, outside of R&B and adult contemporary ...
Album Reviews
Splendid isolation: Ryan Hemsworth’s “Alone for the First Time”
by Irene Lo Can you tell the difference between a Ryan Hemsworth lyric and a ...
