Features
Is the Tupac hologram overrated?
text: Michael Raine By now, anyone with an Internet connection or cable subscription has seen ...
Features
A wild guess at the musical future
text: Michael Raine Predicting the future is a risky endeavour at best and a completely ...
Features
Whose job is it to play new music?
text: Michael Raine | photography: Brian Patterson Good new music, particularly what is generally termed ...
Features
The appeal of new music. Or lack of thereof.
text: Michael Raine | photography: Brian Patterson If you’re over the age of 40, it ...
Culture
Stealing versus paying homage
text: Michael Raine Borrowing, stealing, ripping-off, plagiarism, whatever euphemism or disparaging term you want to ...
Features
Lost in choices: the sea of unlimited new music
text: Michael Raine Are we living in a musical age of endless mediocrity? A time ...
Features
The changing nature of selling out
>text: Michael Raine As times change, so do our ethics. Nowhere in the music industry ...
Features
RUSKO in retrospective: today, tomorrow
2010 was a big year for Christopher Mercer, the devilish UK dubstep producer known to ...
Features
Has Music Criticism Become Obsolete?
text: Michael Raine | photography: Brian Patterson “Let’s face it, if you can hear a ...
Photo Stories
Quip visits Kid Koala’s home studio in Montreal
Based in Montreal and fathered by UK’s finest music label Ninja Tune, Kid Koala (or ...
