I first heard of Foxygen when their album We Are the 21st Century Ambassadors of Peace & Magic dropped in 2013.

The duo’s sonic smorgasbord of classic rock styles had me completely mesmerized. I loved how within the same song, singer Sam France could jump from Dylan to Jagger to Lennon, all while the music kept pace with shifting styles. It felt small-scale, but the ambition was grand and thoroughly impressive.

I saw them at Wrongbar by myself, clutching a newly purchased vinyl and shirt. I was even a bit starstruck when Jonathan Rado walked by me and I congratulated him on the show. The point being: I loved Foxygen.

Then an ex-bandmate and girlfriend of France, Elizabeth le Fey, posted the infamous (now-deleted) Tumblr post that painted the band as unpleasant and combative. I started noticing an air of tension in their interviews. France’s stage presence grew erratic and resulted in altercations with fans. Jonathan Rado released a solo album that didn’t fare so well, and Foxygen’s follow-up album did little to make things better. The emphasis shifted from solid songs to glam extravagance.

It felt like Foxygen had misjudged what people, or at least what I, really dug about them. It all seemed to come to a head when they posted a cryptic tweet implying the band was finished. It was later revealed that only the “current incarnation” of the band was over – the gesture felt cheap and attention-seeking. The point being: I no longer loved Foxygen.

In early 2017, they released Hang, a collection of eight songs that heavily feature orchestral arrangements. I wasn’t a fan of the singles nor the album itself – it felt too musical theatre. But then a good friend of mine chided me for not liking the album and asked me to see their “touring production of Hang.” I was wary of any concert labelled a “touring production”, but ultimately agreed.

The show was at the Opera House, a venue I hadn’t been to since high school. The crowd was an expected mix of young people and older folks who appreciated Foxygen’s classic rock sensibilities.

The band came out with a horn section and began playing a groovier version of “21^st Century Ambassadors” before France took the stage in a white shirt tied into a crop top, with the makeup and hair of a poor man’s Ziggy Stardust. He flaunted and danced with the confidence of someone with a more impressive midriff – glam extravagance was still very much on the menu.

They ripped through three classic songs, which admittedly sounded great with the fleshed-out arrangements, before performing Hang in its entirety. The songs did sound way better live – punchier and more engrossing than on the album. The audience loved the new material, and it occurred to me that I was in the minority of Foxygen fans who disliked Hang.

Jonathan Rado sat perfectly upright at the piano and shredded when he was on guitar. The final extended jam at the end of “Rise Up” was a definite highlight. Then the band launched into an encore of old favorites. I was thrilled when they played “Make it Known”, a track off an earlier album.

Now that they’ve gotten this musical theatre production out of their systems, I’m hoping Foxygen evolve into something new. The show left me optimistic that I’ll soon hear a Foxygen record of kooky, catchy songs with a bit more of an orchestral oomph. Whichever direction they go in, may they find a bit more peace and magic in their music.

The post Hung up on Foxygen – concert review appeared first on Quip Magazine.

Foxygen exerts so much raw energy you can sense their power on their recordings, but seeing them live is a different experience. Coming in hot, Foxygen opened the set with their sophomore album’s title track, “We Are the 21st Century Ambassadors of Peace & Magic.” Chaos and passion lead by front man, Sam France, there’s no missing him relentlessly work the stage. Sam France works as the epitomized, eccentric front man. Contorting like Iggy Pop, flamboyantly flailing like Mick Jagger, the comparisons can go on and on, but the honest truth is Foxygen is very much a conjured effort from rock’s great past. It’s big, it’s loud, it’s sexy, and it’s really meant to put on the best show possible with very simple elements… guitars, bass, drums, organ, classic female backup singers, and the attention grabbing front man.

Bouquets of flowers attached to each mic stand, strung lights draped across parts of the stage, and a large, black cloth with a white, pentagram looming high above the drummer’s head put the icing on the cake for Foxygen’s classic, rock n’ roll, healing appeal. They know what they’re going for, it’s simple, throwback, and they’re arguably doing a really good job at it. The set featured familiar favorites from their sophomore album including, “On Blue Mountain,” “San Francisco,” “No Destruction,” and more. Though Foxygen did play a few songs from their most recent release, …And Star Power, you could most definitely see a deeper, more profound audience connection to their sophomore release, We Are the 21st Century Ambassadors of Peace & Magic.

Despite the fact they are nothing short of attention grabbing, my only hang-up was the over exertion of energy. They displayed so much energy and were so fierce, their fundamental dynamics and playfulness in tone was a bit lost in the excitement. There’s a lot of finesse in their recordings from quick time changes, dynamic swooping parts, and style of singing from Sam France, and I feel that was a bit lost in their live performance. Foxygen is a younger band and they’re having the time of their lives. There’s no question though, Foxygen will effortlessly pull you into their world and you will undoubtedly have a great time at one of their live performances.

The post Go see Foxygen live. We did. appeared first on Quip Magazine.